The Central Library houses a significant collection
of works by modern New Zealand artists.
The Library has received several generous donations
over many years as well as purchasing a few works.
The Embellishment Collection serves the purpose
of enriching the University's buildings and campus, and providing
records of individuals and events. This is the largest collection,
and is located throughout the University. The
University of Otago artworks catalogue (PDF1 6KB, 1 page)
The Frances Hodgkins Fellowship was established
in 1962 through the generous interest of anonymous friends of
the University. The general purpose of the Fellowship is to aid
and encourage painters and sculptors in the practice and advancement
of their art, to associate them with the life of the University,
and at the same time to foster an interest in the arts within
the University. The Fellowship is open to any man or woman normally
resident in New Zealand who has executed sufficient work to show
that he or she possesses some talent as a painter or sculptor,
and as a serious artist will benefit from the tenure of the Fellowship.
Since the Fellowship was established, the following
awards have been made:
| Title of art work |
Medium |
Artist |
Date |
Location |
| Brazil is
Fine, Jeffrey |
wood |
Jim Speers |
2001 |
ISB Link, east |
| Stretcher to Te Pahi |
mixed media |
Chris Booth |
1986 |
Ground Floor, adjacent to main
entrance |
| Pacific Totem |
fibreglass |
Marté Szirmay |
1972 |
Ground Floor, adjacent to main
entrance |
| Sonata at Mapoutahi, Purakanui,
Otago |
oil on canvas |
Sam Foley |
2001 |
Ground Floor, opposite main entrance |
| How Can I Go Forward? |
oil on board |
Lyle Penisula |
1990 |
Ground Floor, opposite main entrance |
| Three Brothers Corner |
mixed media |
Jim Speers |
2001 |
Ground Floor, east |
| Green Turtles |
synthetic polymer on wood |
Ron Lusty-Meyer |
2000 |
Ground Floor, staff area |
| A Canopy Study |
watercolour on paper |
Louise Henderson |
1972 |
Ground Floor, committee room |
| Portrait of Dame Louise Henderson
in her Studio |
synthetic polymer on canvas |
Glenda Randerson |
1990 |
Ground Floor, staff area |
| Honey Sacs |
synthetic polymer on board |
Ron Lusty-Meyer |
2002 |
Ground Floor, Disabilities Room |
| Tracking for Food |
synthetic polymer
on board |
Ron Lusty-Meyer |
2001 |
Ground Floor, staff
area |
| Horses |
photo-mechanical offset lithograph |
Vittore Pisanello |
1450 |
Ground Floor, staff area |
| Virginia Woolf |
linocut |
John Robinson |
1981 |
Ground Floor, staff area |
| University Library |
woodblock print |
Manu Berry |
2004 |
Ground Floor, committee room |
| Frogman's View |
silk batik |
Brenda Shore |
1975 |
Ground Floor, committee room |
| Willow and Dark Water |
pastel |
Marilynn Webb |
1995 |
Ground Floor, reference collection |
| Going Through Fiordland: Doubtful
Sound |
pastel |
Marilynn Webb |
2002 |
Ground Floor, reference collection |
| Jerusalem Series |
13/22 lithograph |
Ralph Hotere |
2002 |
Ground Floor, Te Aka a Tā;whaki |
| Round Midnight July |
18/24 lithograph |
Ralph Hotere |
2000 |
Ground Floor, Te Aka a Tā;whaki |
| Departure Point |
ink on three unstretched sheets
of linen |
Shona Rapira Davies |
1993 |
Ground Floor, Te Aka a Tā;whaki |
| Gifts for a Girl Leaving Home.
To Brigid at Whatipu |
4/5 blind intaglio and relief
print |
Robin White |
1991 |
Ground Floor, reference collection |
| Lily Roots & Small Desert
Melons |
synthetic polymer on board |
Ron Lusty-Meyer |
2001 |
Ground Floor, reference collection |
| Conceptual Ghosts in the Exclusive
Portrait |
mixed media |
Michael Armstrong |
1992 |
Ground Floor, reference collection |
| Daphne |
fibreglass |
Robert Nettleton Field |
1967 |
First floor, east (outside Divisional
office) |
| Sacred Black Serpent |
synthetic polymer on board |
Ron Lusty-Meyer |
2001 |
First floor, east (outside Divisional
office) |
| Figures in Light Theme |
synthetic polymer paint &
pencil on board |
Pat Hanly |
1966 |
First floor, committee room 2 |
| Wandjina-Kaluru |
synthetic polymer on board |
Ron Lusty-Meyer |
2002 |
First floor, east reading room |
| Lunar Man |
synthetic polymer
on board |
Ron Lusty-Meyer |
2000 |
First floor, east
reading room |
| Solar Woman |
synthetic polymer on board |
Ron Lusty-Meyer |
2000 |
First floor, east reading room |
| Corstorphine from Health, Happiness
and Housing series |
digital print on board |
Ava Seymour |
1997 |
First floor, west |
| Veduta dell' anfiteatro
Flavio detto il Colosseo |
etching |
Giovanni Battista Piranesi |
nd |
First floor, Charles Brasch Court |
| Veduta degli avanzi superiori
delle Terme di Diocleziano |
etching |
Giovanni Battista Piranesi |
nd |
First floor, Charles Brasch Court |
| Veduta della Piazza del Camidoglio |
etching |
Giovanni Battista Piranesi |
nd |
First floor, Charles Brasch Court |
| Veduta interna della Basilica
di Sta. Maria Maggiore |
etching |
Giovanni Battista Piranesi |
nd |
First floor, Charles Brasch Court |
| Portrait of Charles Brasch |
oil |
Evelyn Page |
1937 |
First floor, Charles Brasch Court |
| Bust of Charles Brasch |
bronze |
Paul Beadle |
nd |
First floor, Charles Brasch Court |
| Dr E. S. de Beer |
bronze |
Anthony Stones |
1983 |
First floor, Charles Brasch Court |
| Portrait of Esmond de Beer |
gelatin silver print |
Walter Bird (courtesy of Godfrey
Argent Studio, London) |
1965 |
First floor, Charles Brasch Court |
| Theme & Variations (Blue) |
synthetic polymer paint on canvas |
Milan Mrkusich |
1966 |
First floor, west, reading room |
| Numbers Theme |
oil on board |
Colin McCahon |
1966 |
First floor, west, reading room |
| Waterfall theme & variations |
lacquer on board |
Colin McCahon |
1966 |
First floor, west, reading room |
| Detail of sybils from the ceiling
of the Sistine Chapel |
photo-mechanical offset lithograph |
Michaelangelo Buonarroti |
1508 - 1512 |
First floor, west, committee
room |
| Untitled
(mural design) |
mixed media on board |
Ralph Hotere |
1965-1966 |
Second Floor, east, outside staff
room |
| Missing Central |
synthetic polymer paint on canvas |
Pauline Belamy |
1997 |
Second Floor, staff room |
| Faces in the Water |
Book |
poems by Brian Turner ; woodcuts
by John Mitchell |
2004 |
Second Floor, staff room |
| St Leonards Morning |
synthetic polymer paint on canvas |
Reuben Fischer |
1998 |
Second Floor, staff room |
| Retribution |
Steel & baked enamel |
Richard Killeen |
1979 |
Second Floor, staff room |
| Untitled (mural design) |
synthetic polymer on canvas |
Ross Ritchie |
1966 |
Second Floor |
| Untitled (mural design) |
mixed media on board |
Don Peebles |
1966 |
Second Floor,
Reading Room |